Here’s a great article from the Writers In The Storm blog written by guest poster Lisa Hall Wilson. Deep Point Of View can be difficult to master, but it’s a great way to learn how to show versus tell, which will strengthen your writing and draw your readers deeper into your characters and story. I hope you enjoy this article as much as I did!
Most of us have been there. It’s well past bedtime, our eyes are burning, we know we’re going to pay for it in the morning, but we just. Can’t. Stop. Reading.
What makes a book impossible to put down? What is it that draws us in and keeps us on the hook, addicting us to the pages like a drug? That’s the question – and I love seeking the answers.
For all my fellow writers out there, I read this article earlier and had to share it!
Writing takes you inside your own mind. Like, deep inside, into the dark nooks and shadowed crannies where the wildest parts of your imagination are free to roam. It’s the place where monsters are created – both figuratively and literally.
As much as I love immersing myself in the land of make believe, in toiling over my craft and creating new works of fiction, I have to ask myself – what happens when you spend too much time in any dark place? Imagine a plant without sunlight. An animal penned in a small cage. A writer chained to their desk.
What do all these things have in common?
They don’t grow.
And a large part of writing, the biggest part, perhaps, is drawing on your experiences to infuse your work with connections that your readers can identify with. An experience or an emotion that they share with your character that makes them sit back, take notice, and invest themselves in the outcome of the story.
I totally understand needing to be in the right frame of mind to write, or having to clear your head space to work out how to successfully pull off that devious plot twist you’ve dreamt up, and I’m SO guilty of zoning out of a dinner conversation while planning the chapter I’ll write the next day, but every writer has to find a way to turn the facet off (and on) at will.
If you have trouble shutting down with your computer, try establishing a pre- and post-writing ritual. Something that you do every time you start and finish writing. Developing healthy writing habits can help prevent against both writers block and long, sleepless nights spent crafting the most perfect sentences that you’ll never remember.
Because it’s cold and lonely on the dark side of the moon.
I’m thrilled to announce that my story, “Bad Moon Rising,” is available in the July issue of Mystery Weekly Magazine! Mystery Weekly is, in my opinion, the more approachable, hipper, sassier younger cousin of Ellery Queen and Alfred Hitchcock Mystery Magazines!
If you like short mystery and crime fiction, you should give this magazine a read. If you’re a short fiction writer, this is a market you need to check out! (FYI – it’s a qualifying market for the Mystery Writers of America – so if you’ve got your eye on active membership or that Edgar Award, definitely consider submitting!)
When writing fiction, how much thought do you put into your setting? Do you craft scenes drenched in atmosphere? Do your places drip with detail, oozing menace, gushing romance, shining with delight? Or is your setting simply the place where your fascinating characters bring your stellar plot to life?
I have to admit that while I occasionally focus on developing an atmospheric setting in my short fiction, in my novels the settings tend to simply be the trunk on which my plot branches and my characters grow their leaves.
My goal this year is to take more care in creating my settings. By skimping, I’m missing out on a vital opportunity to further flesh out my writing. To take my characters to the next level by allowing them to evolve over the course of the story.
Ask yourself – do your characters feel the same way about certain environments at the end of your story as they did at the beginning? Mine certainly don’t, and by sharing this evolution with my readers, I can make my characters more three dimensional.
Seize any opportunity you have to make your readers care for, identify with, and become invested in your characters!
How do you bring your scenes to life?
It feels like it’s been forever since I’ve posted, and looking back, I see that it’s been almost three months. In three months, you can hike the Appalachian Trail if you trek fast. A cougar kitten can gestate and be born. Or, like me, you can move across country and acclimate from one extreme (New Hampshire) to another (Florida).
It’s been a happy homecoming, rejoining our family in the land of sun, where feet of snow can be a
distant cold fond memory. While I didn’t keep up with my writing as much as I’d have liked during the transition, I have gotten back to work, and am pleased to announce that I’ve had short stories purchased by Mystery Weekly Magazine, to be released later this summer, and Dual Coast Magazine, out this month. I look forward to picking up my discussions on the different aspects of the craft of writing with my Thursday’s Thoughts on Writing series and sharing my experiences of the rejection agent process 😛 . I hope you’ll join me along the way!
My latest short story, “It’s All About the Cat”, is featured on the Saturday Evening Post website for their #NewFictionFriday! This is the 6th short featuring my character Detective Shaw to find publication – this time in the form of a cozy little mystery! Head on over and read it now for free!
My short story “Dying Print” is available now in the latest issue of the Wild Musette Journal!