Here’s a great article from the Writers In The Storm blog written by guest poster Lisa Hall Wilson. Deep Point Of View can be difficult to master, but it’s a great way to learn how to show versus tell, which will strengthen your writing and draw your readers deeper into your characters and story. I hope you enjoy this article as much as I did!
With NaNoWrMo almost here, I decided to give some thought to the pregame show. Spoiler Alert – This isn’t about sports. And there’s nothing to actually watch. It also isn’t another plotter vs. pantser post. This is about what you write before you write (I’m going somewhere here, I promise).
I am a pantser, which means I don’t create an outline before I write. More power to the writers who do, it just doesn’t work for me. When I start a new piece, sometimes all I have is the beginning. Or the ending. Sometimes the middle, but more often just an idea I’ve been kicking around that I think I can develop into 60-80,000 words that I hope will keep readers distracted from reality for a while.
I don’t outline because I like to see how things organically progress, like a social experiment where you drop a group of people into a situation and watch to see how they’ll react. But, since I’m more drawn to plot than character, I tend to not know who I’ll be playing with when I start. Which can make the stark white page with the blinking cursor looks kind of daunting at times.
So, while I don’t spend hours plotting out what will happen, I do engage in something called prewriting. That’s when I jot down notes, ideas, and general directions I could go in before I’ve made thousands of words worth of commitment to an idea I’ll later abandon. It lets me see possible names on paper, maybe a quick character sketch or two, locations to consider and some plot points I may want to visit along the way. Basically, it’s a brain dump.
Sometimes, I scratch the whole thing. Other times, I realize one of the characters I’m considering isn’t going to work in the story or with the other characters. It creates a launching point so I can quickly get some words on the blank page. And when I feel adrift in choppy waters, another quick brain dump is usually enough to bring my boat back to smooth sailing.
Pros: It takes all of five minutes, so if you don’t listen to a word of it you haven’t lost much time, and if it doesn’t work, simply try again. It gives you a rough direction if you’re feeling lost. It’s completely fluid – you can add or scratch notes at any time without having to restructure the whole thing.
Cons: It leaves a lot to chance and the writer’s ability to tell themselves a story on the fly as they’re typing. It does not provide the structure of allowing you to see the scene you’ll be writing on a given day. It does not write the story for you.
So, for all of you who don’t want to create a detailed outline of a book you haven’t written yet, but also don’t want to go in blind, I hope this helps! Best of luck to all the writers out there, both those who are and aren’t participating in this year’s NaNo!!!
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I’m thrilled to announce that my story, “Bad Moon Rising,” is available in the July issue of Mystery Weekly Magazine! Mystery Weekly is, in my opinion, the more approachable, hipper, sassier younger cousin of Ellery Queen and Alfred Hitchcock Mystery Magazines!
If you like short mystery and crime fiction, you should give this magazine a read. If you’re a short fiction writer, this is a market you need to check out! (FYI – it’s a qualifying market for the Mystery Writers of America – so if you’ve got your eye on active membership or that Edgar Award, definitely consider submitting!)
When writing fiction, how much thought do you put into your setting? Do you craft scenes drenched in atmosphere? Do your places drip with detail, oozing menace, gushing romance, shining with delight? Or is your setting simply the place where your fascinating characters bring your stellar plot to life?
I have to admit that while I occasionally focus on developing an atmospheric setting in my short fiction, in my novels the settings tend to simply be the trunk on which my plot branches and my characters grow their leaves.
My goal this year is to take more care in creating my settings. By skimping, I’m missing out on a vital opportunity to further flesh out my writing. To take my characters to the next level by allowing them to evolve over the course of the story.
Ask yourself – do your characters feel the same way about certain environments at the end of your story as they did at the beginning? Mine certainly don’t, and by sharing this evolution with my readers, I can make my characters more three dimensional.
Seize any opportunity you have to make your readers care for, identify with, and become invested in your characters!
How do you bring your scenes to life?
It feels like it’s been forever since I’ve posted, and looking back, I see that it’s been almost three months. In three months, you can hike the Appalachian Trail if you trek fast. A cougar kitten can gestate and be born. Or, like me, you can move across country and acclimate from one extreme (New Hampshire) to another (Florida).
It’s been a happy homecoming, rejoining our family in the land of sun, where feet of snow can be a
distant cold fond memory. While I didn’t keep up with my writing as much as I’d have liked during the transition, I have gotten back to work, and am pleased to announce that I’ve had short stories purchased by Mystery Weekly Magazine, to be released later this summer, and Dual Coast Magazine, out this month. I look forward to picking up my discussions on the different aspects of the craft of writing with my Thursday’s Thoughts on Writing series and sharing my experiences of the rejection agent process 😛 . I hope you’ll join me along the way!
My latest short story, “It’s All About the Cat”, is featured on the Saturday Evening Post website for their #NewFictionFriday! This is the 6th short featuring my character Detective Shaw to find publication – this time in the form of a cozy little mystery! Head on over and read it now for free!
My short story “Dying Print” is available now in the latest issue of the Wild Musette Journal!