Here’s a great article from the Writers In The Storm blog written by guest poster Lisa Hall Wilson. Deep Point Of View can be difficult to master, but it’s a great way to learn how to show versus tell, which will strengthen your writing and draw your readers deeper into your characters and story. I hope you enjoy this article as much as I did!
When it comes to writing tips and advice, Donald Maas is a master! It’s no secret that his book, The Emotional Craft of Fiction, changed the way I viewed writing as a whole. I stumbled on this article he wrote for Writer’s Digest back in 2009 – an oldie but a goodie – and had to share!
Here’s a great article on how to pull off a killer twist a la the Queen of Mystery, Agatha Christie!
Since it’s Halloween, and I’ve been focusing on tension and suspense in my own writing, today has me thinking about fear, and how fear can be leveraged to increase tension, suspense, character development, and even setting in any genre of fiction.
If I were to ask, “What are you afraid of?” I’d probably get plenty of similar responses. For some, it’s serial killers, ax murderers, and bad people in general. For others, it’s disease, illness, or the loss of a loved one. Spiders, clowns, heights, and other phobias all have their places, and while all of these themes can be woven into any genre, what if you don’t want to focus on a specific fear, but instead invoke the feeling in general, because, let’s face it – sometimes people (and characters) – don’t know exactly what it is that they’re afraid of.
A general uneasiness of unknown cause can be crafted into scenes that create just as much tension as a character locked in a haunted house with Hannibal Lecter and a dozen sadistic, serial killing clowns.
The question is, how do you leverage fear without making it blatantly obvious?
Well, consider this – fear takes many forms and has many faces. At it’s most general, fear is anxiety. And anxiety isn’t always the enemy, especially when it’s felt by a character in a piece of fiction.
If I were to ask, “What makes you anxious?” would I get the same answer as when I asked what you were afraid of? Now what if I asked, “What makes you uneasy?”
Three different questions, all with different answers.
This is how to subtly leverage fear in your writing. Pick a different emotion or feeling and develop it. Make it grow into something more. Something, dare we say, sinister.
How do you feel about isolation? Would being in an unsettling situation by yourself be more unnerving than if you were with others? How about if others were there, friends even, but there was no cell service, basically cutting you off from the rest of the population? Now, what if you were in a location that further isolated you, like an island?
It’s a popular trope, but a good example in that it’s a situation that can also be enjoyable. On an island with friends and no cell service, nothing to do but relax, unwind, and party? Sounds like torture, right?
But that’s the fun thing about fictional fear – taking paradise and making it pergatory. Best of luck!
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Most of us have been there. It’s well past bedtime, our eyes are burning, we know we’re going to pay for it in the morning, but we just. Can’t. Stop. Reading.
What makes a book impossible to put down? What is it that draws us in and keeps us on the hook, addicting us to the pages like a drug? That’s the question – and I love seeking the answers.
For all my fellow writers out there, I read this article earlier and had to share it!
When writing fiction, how much thought do you put into your setting? Do you craft scenes drenched in atmosphere? Do your places drip with detail, oozing menace, gushing romance, shining with delight? Or is your setting simply the place where your fascinating characters bring your stellar plot to life?
I have to admit that while I occasionally focus on developing an atmospheric setting in my short fiction, in my novels the settings tend to simply be the trunk on which my plot branches and my characters grow their leaves.
My goal this year is to take more care in creating my settings. By skimping, I’m missing out on a vital opportunity to further flesh out my writing. To take my characters to the next level by allowing them to evolve over the course of the story.
Ask yourself – do your characters feel the same way about certain environments at the end of your story as they did at the beginning? Mine certainly don’t, and by sharing this evolution with my readers, I can make my characters more three dimensional.
Seize any opportunity you have to make your readers care for, identify with, and become invested in your characters!
How do you bring your scenes to life?